Image one

D06F10, from the series "Dogs chasing my car", 1996-2000 (printed 2004)
Archival pigment print
26 x 36 inches
003404

Image two

D10F15, from the series "Dogs chasing my car", 1996-2000 (printed 2004)
Archival pigment print
26 x 36 inches
003399

Image three

D25F22, from the series "Dogs chasing my car", 1996-2000 (printed 2004)
Archival pigment print
26 x 36 inches
003401

Image four

N34°11.642'W116°06.663', from "Isolated Houses", 1995-1998

Image one Image two Image three image four

JOHN DIVOLA : DOGS CHASING MY CAR IN THE DESERT AND ISOLATED HOUSES

DETAILS:

John Divola
12 works
DVD available
Book "Dogs Chasing My Car in the Desert" available
8 archival pigment prints, 22" x 32"
4 digital chromogenic prints, 30" x 30"

DESCRIPTION:

Divola's dogs and the curious houses they guard allow us a glimpse of something truly unique and independent. Some find their individuality in the choices they make in local grocery or music stores, but here we see a different way of life.

From 1995 to 1998 John Divola worked on a series of photographs of isolated houses in the desert at the east-end of the Morongo Valley in Southern California. Meandering through the desert, a dog would occasionally chase his car. Sometime in 1996 he began to bring along a 35mm camera equipped with a motor drive and loaded with a fast and grainy black-and-white film. The process was simple; when a dog ran towards the car he would pre-focus the camera and set the exposure. With one hand on the steering wheel and his camera out the window he exposed anywhere from a few frames to a complete roll of film.

"I'll admit that I was not above turning around and taking a second pass in front of a house with an enthusiastic dog. It could be viewed as a visceral and kinetic dance. We have two vectors and velocities, that of a dog and that of a car and, seeing that a camera will never capture reality and that a dog will never catch a car, evidence of devotion to a hopeless enterprise."
— John Divola